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		<title>Softreboot &#8211; Parallax Dream ( Electronic Pop / Punk ) Review</title>
		<link>https://newmusicreview.co.uk/softreboot-parallax-dream-electronic-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 19:23:42 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop punk]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12111</guid>

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<div class="et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Softreboot - Parallax Dreams Review</strong></p>
<p data-start="1016" data-end="1275">Love the intro on this track, a sort of melancholy and melodic riff at the same time over a soldi Bass line, I also like the way the vocal melody replicate the guitar , creates a really nice mood.</p>
<p data-start="1016" data-end="1275">The chord structure and acoustic guitars works nicely in the build up to a catchy chorus, enhanced by the stereo synth grooves.</p>
<p data-start="1016" data-end="1275">The track continues to build with added instrumentation and the odd drop for dynamics, overall a very nice track, check it out in the links.  </p>
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<div class="et_pb_heading_0 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Softreboot on Spotify</h1></div></div>

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<div class="et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">About Softreboot - Parallax Dreams  </h1>
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<p data-start="121" data-end="425"><strong data-start="121" data-end="135">Softreboot</strong> is the conceptual solo project of Sergei Orlov—an artist operating at the intersection of human emotion and modern technology. Rooted in themes of degradation, the project explores fading memories, lost signals, and the growing emotional distance between people in a hyper-connected world.</p>
<p data-start="427" data-end="694">While the lyrics, overarching concepts, and artistic direction remain deeply personal and human-driven, softreboot incorporates AI as a forward-thinking production tool. This fusion results in expansive, atmospheric soundscapes that feel both intimate and futuristic.</p>
<p data-start="696" data-end="875">Sonically, softreboot blends the melancholic edge of early 2000s alt-rock with modern electronic textures—making it a compelling listen for fans of Radiohead, Placebo, and The xx.</p>
<h2 data-section-id="1s9gv1z" data-start="882" data-end="934"><span role="text">“Parallax Dream” and the <em data-start="910" data-end="925">Dust Protocol</em> Universe</span></h2>
<p data-start="936" data-end="1116">The debut single, “Parallax Dream,” marks the first chapter in a wider conceptual universe titled <em data-start="1038" data-end="1053">Dust Protocol</em>—a musical logbook documenting a system slowly losing its data.</p>
<p data-start="1118" data-end="1329">At its core, the track uses the metaphor of the <em data-start="1166" data-end="1183">parallax effect</em> to capture a haunting emotional disconnect: two people occupying the same physical space, yet existing in entirely different emotional realities.</p>
<p data-start="1331" data-end="1471">The official music video for “Parallax Dream” is now available on YouTube, offering a visual entry point into this evolving narrative world.</p>
<h2 data-section-id="1t8cu8t" data-start="1478" data-end="1493">What’s Next?</h2>
<p data-start="1495" data-end="1611">softreboot is already operating with a fully completed debut album, signaling a clear and ambitious artistic vision.</p>
<p data-start="1613" data-end="1758">The next chapter in the <em data-start="1637" data-end="1652">Dust Protocol</em> universe is set to arrive soon, with a new single officially scheduled for release on <strong data-start="1739" data-end="1757">April 24, 2026</strong>.</p>
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<div class="et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their YouTube </strong>below</h3>
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<div class="et_pb_video_0 et_pb_video et_pb_module et_flex_module"><div class="et_pb_video_box"><iframe loading="lazy" title="Parallax Dream" width="1080" height="810" src="https://www.youtube.com/embed/_Xy_lX11a2U?feature=oembed"  allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div></div>
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		<title>Raging Lines &#8211; Let Me Know ( Indie Pop / Punk ) Review</title>
		<link>https://newmusicreview.co.uk/raging-lines-let-me-know-indie-pop-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 20:04:55 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop punk]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12098</guid>

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<div class="et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Raging Lines - Let Me Know Review</strong></p>
<p data-start="1016" data-end="1275">I really like intros like this, straight in with a kick/snare and the opening riff, which in this case is really catchy, I would normaly say the vocal should be in early but Im happy to listen to the licks for a few bars .</p>
<p data-start="1016" data-end="1275">When the lyrics do kick in its a great vocal vibe, suits the music style very nicely, that guitar lick coming and going in one form or another is very cool.</p>
<p data-start="1016" data-end="1275">I like the whole song structure, mix and prodcution is just right, I cant say too many songs are too short, but another 30s wouldnt go amiss here, nice work.</p>
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<div class="et_pb_heading_2 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Raging Lines on Spotify</h1></div></div>

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<div class="mt-3 w-full empty:hidden"><span>With a profound interest in all aspects of how to make a tune, Sondre Thomassen Thorvik (born 2002) combines his dark voice with guitar, drums and bass to build his own musical path from scratch to finished product. </span></div>
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<div class="mt-3 w-full empty:hidden"><span>Sondre's main project called Raging Lines delivers dark indie rock and new wave, while the first single from 2022 leaned more towards post-punk ("Too Dramatic, Too Paralyzed"). </span></div>
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<div class="mt-3 w-full empty:hidden"><span>Editor Egon Holstad compared his voice with Michael Gira's, Swans, in Raging Lines' "You Stay Away". Thomassen Thorvik works for Ultima Contemporary Music Festival and Newtone Studio as a freelance sound engineer and music producer, and had 12 weeks practice at both places through his university.</span></div>
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<div class="et_pb_text_8 et_pb_text et_pb_bg_layout_light et_clickable et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their YouTube </strong>below</h3>
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<ul class="et_pb_social_media_follow_2 et_pb_social_media_follow clearfix et_pb_bg_layout_light et_pb_text_align_center et_pb_module et_block_module">
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		<title>Geo Pardalos &#8211; Light at The End ( Indie Pop / Punk ) Review</title>
		<link>https://newmusicreview.co.uk/geo-pardalos-light-at-the-end-indie-pop-punk/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Fri, 10 Apr 2026 16:36:12 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop punk]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12016</guid>

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										<content:encoded><![CDATA[<div class="et_pb_section_40 et_pb_section et_section_regular et_block_section">
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<div class="et_pb_text_12 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Geo Pardalos - Light at The End</strong></p>
<p data-start="1016" data-end="1275">Nice energy from the intro, good use of harmonies and vocal sound effects, the lyric melody works well with the chord structure, which itself could have been generic but Geo chose to use some nice chord changes making it all that more appealing.</p>
<p data-start="1016" data-end="1275">Overall the mix and production is well executed, powerful dynamics, good hooklines, nice track.    </p>
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<div class="et_pb_heading_4 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Geo Pardalos on Spotify</h1></div></div>

<div class="et_pb_code_12 et_pb_code et_pb_module"><div class="et_pb_code_inner"><iframe data-testid="embed-iframe" style="border-radius:12px" src="https://open.spotify.com/embed/track/22eeQ9lTic21vP1D6e1dXR?utm_source=generator" width="100%" height="152" frameBorder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></div></div>
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<div class="et_pb_text_13 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">Geo Pardalos - Light at The End</h1>
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<p data-start="0" data-end="334">Emerging artist <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Geo Pardalos</span></span> returns with his latest single <em data-start="85" data-end="103">Light at The End</em>, a high-energy pop-punk track that captures the emotional ups and downs of life through the changing seasons. The song serves as the second single from his upcoming self-produced debut album, <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">The New 20s</span></span>.</p>
<p data-start="336" data-end="691">Blending fast-paced guitars with melodic hooks, <em data-start="384" data-end="402">Light at The End</em> explores how our moods often mirror the world around us. Using winter as a metaphor for life’s more difficult periods, the track reflects feelings of isolation and emotional heaviness before building into an uplifting, anthemic chorus—reminding listeners that brighter days always return.</p>
<p data-start="693" data-end="1032">Written and produced independently, the track highlights Pardalos’ ability to fuse introspective themes with energetic, accessible pop-punk soundscapes. At its core, the song delivers a relatable message: emotional lows are temporary and part of a natural cycle—something that resonates strongly in a time marked by uncertainty and change.</p>
<p data-start="1034" data-end="1389">Following the release of his first single <em data-start="1076" data-end="1090">Young n Wild</em>, Pardalos continues to build momentum toward <em data-start="1136" data-end="1149">The New 20s</em>, a project centered on growth, identity, and modern life in the current decade. With each release, he further refines a sound that balances vulnerability with energy and optimism, drawing from deeply personal, autobiographical experiences.</p>
<h3 data-section-id="19oinns" data-start="1396" data-end="1420">Who Is Geo Pardalos?</h3>
<p data-start="1422" data-end="1764"><span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Geo Pardalos</span></span> is an independent artist, previously known as the drummer for bands such as BlueGem (now dissolved), Stig Van Eijk, Silver End, and Sandmarx, among others. In his solo work, he steps into the spotlight as a vocalist and songwriter, channeling his modern pop-punk influences into emotionally driven music.</p>
<p data-start="1766" data-end="1972">His upcoming debut album, <em data-start="1792" data-end="1805">The New 20s</em>, showcases a diverse sonic palette—ranging from pop-punk and acoustic pop to jazz, electronic elements, and even traditional Greek influences that honor his heritage.</p>
<p data-start="1974" data-end="2300" data-is-last-node="" data-is-only-node="">Lyrically, his music focuses on real-life experiences, relationships, and personal growth, combining high-energy production with honest storytelling. More than just a debut, <em data-start="2148" data-end="2161">The New 20s</em> acts as both a personal introduction and a dedication to his family—marking the beginning of a new chapter, both musically and personally.</p>
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<div class="et_pb_text_14 et_pb_text et_pb_bg_layout_light et_clickable et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their Soundcloud </strong>below</h3>
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<div class="et_pb_icon_1 et_pb_icon et_animated et_clickable et_pb_module et_block_module"><span class="et_pb_icon_wrap"><a href="https://soundcloud.com/geopardalos/light-at-the-end?si=362c77766f5341a9b520525aed437923&#038;utm_source=clipboard&#038;utm_medium=text&#038;utm_campaign=social_sharing" target="" rel="noopener"><span class="et-pb-icon">?</span></a></span></div>
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		<title>Q&#038;A &#8211; Timeless Rage &#8211; Metal</title>
		<link>https://newmusicreview.co.uk/qa-timeless-rage-metal-rock-music/</link>
					<comments>https://newmusicreview.co.uk/qa-timeless-rage-metal-rock-music/#respond</comments>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Mon, 06 Apr 2026 18:29:24 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Metal]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[symphonic metal]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11995</guid>

					<description><![CDATA[]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section_53 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_53 et_pb_row et_block_row"><div class="et_pb_column_53 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_16 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2><span>I sit down with German metal band Timeless Rage for an in-depth chat about what it really takes to create powerful modern metal. </span></h2>
<p><strong></strong></p>
<p><span>We dive into their approach to songwriting, recording and production techniques, and the realities of trying to get your music heard in today’s crowded scene. They also break down the story and sound behind their latest release, “My Kingdom Come.” If you're into heavy music, this one’s for you. </span></p>
<p data-start="140" data-end="493">Timeless Rage deliver a compelling fusion of catchy, punchy Power Metal and richly detailed Symphonic Metal. Their sound is driven by powerful male lead vocals and leans into darker, mystical atmospheres, often balanced by moments of uplifting melody and hope. The result is a dynamic listening experience full of contrast, variety, and emotional depth.</p>
<p data-start="495" data-end="706">Their 2022 album <em data-start="512" data-end="520">Untold</em>, released via Metalapolis Records, marked a strong return for the band with a refreshed line-up. The record was well received by the press, earning an impressive average rating of 8/10.</p>
<p data-start="708" data-end="1041">Following the album, the singles <em data-start="741" data-end="766">“Ocean Twilight – 2023”</em> and <em data-start="771" data-end="797">“The Devil’s Masquerade”</em> introduced Nicolaj Ruhnow as the band’s new vocalist, adding a fresh dimension to their evolving sound. More recently, <em data-start="917" data-end="938">“Moonbite Serenade”</em> emerged as the first glimpse into their upcoming album, also showcasing new bass player Daniel Wengle.</p>
<p data-start="1043" data-end="1546">With renewed energy and a refined creative direction, Timeless Rage are stronger than ever—both in the studio and on stage. Their blend of melody, intensity, and experience translates into powerful live performances that resonate with audiences. Over the years, they’ve shared the stage with notable acts such as U.D.O., Battle Beast, Serenity, Beyond the Black, Masterplan, Warkings, AXXIS, Freedom Call, Manntra, and Temperance—further cementing their reputation as a formidable force in modern metal.</p>
</div></div><div class="et_pb_video_6 et_pb_video et_pb_module et_block_module"><div class="et_pb_video_box"></div></div><div class="et_pb_code_16 et_pb_code et_pb_module"><div class="et_pb_code_inner"><iframe data-testid="embed-iframe" style="border-radius:12px" src="https://open.spotify.com/embed/track/4FOMH07AIMgWuhvH0aIjy9?utm_source=generator" width="100%" height="152" frameBorder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></div></div><div class="et_pb_cta_1 et_pb_promo et_pb_bg_layout_dark et_pb_module et_flex_module"><div class="et_pb_promo_description"><h2 class="et_pb_module_header">Head to the Timeless Rage Website for more.</h2><div class="et_pb_promo_content"><p><img loading="lazy" decoding="async" src="https://newmusicreview.co.uk/wp-content/uploads/2026/04/Timeless-Rage-Logo-300x114.png" width="300" height="114" alt="" class="wp-image-12001 alignnone size-medium" /></p>
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		<title>I see what our local Guitar shop has to offer.</title>
		<link>https://newmusicreview.co.uk/i-see-what-music-vault-guitar-shop-offers/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sat, 04 Apr 2026 08:53:40 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Articles Of Interest]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11972</guid>

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										<content:encoded><![CDATA[<div class="et_pb_section_61 et_pb_section et_section_regular et_flex_section"><div class="et_pb_row_61 et_pb_row et_flex_row"><div class="et_pb_column_62 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone"><div class="et_pb_heading_6 et_pb_heading et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Inside The Music Vault: Why Independent Guitar Shops Still Matter (Interview with Jake)  By Tim | New Music Review</h1></div></div></div></div></div><div class="et_pb_section_62 et_pb_section et_section_regular et_flex_section"><div class="et_pb_row_62 et_pb_row et_flex_row"><div class="et_pb_column_63 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone"><div class="et_pb_text_20 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p data-start="282" data-end="443">Independent music shops might feel like a dying breed—but step inside The Music Vault in Wellington, Telford, and you’ll quickly realise they’re very much alive.</p>
<p data-start="445" data-end="558">We spent the day with owner Jake, chatting gear, guitars, and why secondhand music equipment is thriving in 2026.</p>
</div></div></div></div></div><div class="et_pb_section_63 et_pb_section et_section_regular et_flex_section"><div class="et_pb_row_63 et_pb_row et_flex_row"><div class="et_pb_column_64 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone"><div class="et_pb_code_18 et_pb_code et_pb_text_align_center et_pb_module"><div class="et_pb_code_inner"><a href="https://www.loopcloud.com/cloud/subscriptions/plans?a_aid=69a730d8f3cc8&amp;a_bid=e2e5a1f5" target="_top" rel="noopener"><img loading="lazy" decoding="async" src="//loopmasters.postaffiliatepro.com/accounts/default1/hfwq3b89wu2/e2e5a1f5.jpg" alt="" title="" width="728" height="90" /></a></div></div></div></div></div><div class="et_pb_section_64 et_pb_section et_section_regular et_flex_section"><div class="et_pb_row_64 et_pb_row et_flex_row"><div class="et_pb_column_65 et_pb_column et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_12_24 et_flex_column_12_24_tablet et_flex_column_24_24_phone"><div class="et_pb_blurb_1 et_pb_blurb et_pb_bg_layout_light et_pb_blurb_position_top et_pb_module et_block_module"><div class="et_pb_blurb_content"><div class="et_pb_main_blurb_image"><a href="https://youtu.be/C0ivDW3WnSo" target="_blank" rel="noopener"><span class="et_pb_image_wrap et_pb_only_image_mode_wrap"><img loading="lazy" decoding="async" width="1280" height="720" src="https://newmusicreview.co.uk/wp-content/uploads/2026/04/Our-Local-Guitar-Shop.jpg" alt="Music Vault Guitar Shop" class="et_animated wp-image-11977" title="Music Vault Guitar Shop" srcset="https://newmusicreview.co.uk/wp-content/uploads/2026/04/Our-Local-Guitar-Shop.jpg 1280w, https://newmusicreview.co.uk/wp-content/uploads/2026/04/Our-Local-Guitar-Shop-980x551.jpg 980w, https://newmusicreview.co.uk/wp-content/uploads/2026/04/Our-Local-Guitar-Shop-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw" /></span></a></div><div class="et_pb_blurb_container"></div></div></div><div class="et_pb_module et_pb_button_module_wrapper et_pb_button_13_wrapper"><a class="et_pb_button_13 et_pb_button et_pb_bg_layout_light et_pb_module et_flex_module" href="https://youtu.be/q-RuJ1YweGQ" target="_blank" data-icon="" rel="noopener">Watch On YouTube</a></div><div class="et_pb_text_21 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p data-start="122" data-end="511">In this interview, Tim visits The Music Vault, an independent music shop in Wellington, Telford, to speak with owner Jake about the realities of running a local guitar store in today’s music retail landscape. The conversation offers insight into how independent shops are adapting, the growing importance of secondhand gear, and why physical music stores still matter to local communities.</p>
<p data-start="513" data-end="1100">Jake explains that The Music Vault is built largely around <strong data-start="572" data-end="612">secondhand instruments and equipment</strong>, which form the backbone of the business. The shop caters to a wide range of players, offering guitars from as little as £50 for beginners up to around £1,500 for higher-end models. This broad pricing structure makes the shop accessible to everyone—from first-time players to experienced musicians looking for something unique. For those just starting out, Jake notes that a basic guitar and amp setup can be put together for around £120, lowering the barrier to entry for new musicians.</p>
<p data-start="1102" data-end="1567">A major part of the shop’s success comes from <strong data-start="1148" data-end="1198">part exchange, trade-ins, and house clearances</strong>, which ensure a constantly changing inventory. Jake highlights that he no longer needs to actively search for stock, as customers regularly bring in instruments and gear to sell or swap. This steady flow of secondhand items not only keeps the shop fresh but also allows customers to discover rare or unusual pieces they wouldn’t typically find in larger retail chains.</p>
<p data-start="2887" data-end="3269" data-is-last-node="" data-is-only-node="">
</div></div></div><div class="et_pb_column_66 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_12_24 et_flex_column_12_24_tablet et_flex_column_24_24_phone"><div class="et_pb_text_22 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p data-start="1569" data-end="2049">Beyond guitars, The Music Vault stocks a variety of <strong data-start="1621" data-end="1694">effects pedals, amplifiers, and occasional keyboards and synthesizers</strong>. Pedals, in particular, are a strong seller due to their affordability and the creative flexibility they offer players. Jake also points out a noticeable shift in amplifier trends, with musicians increasingly favouring smaller, more portable combo amps over traditional large speaker cabinets, reflecting changes in how and where people play music today.</p>
<p data-start="2051" data-end="2454">Repairs and maintenance are another key aspect of the business. Jake carries out regular setups, restringing, and more extensive repair work on a daily basis. This hands-on service is a major advantage of independent shops, giving local musicians access to expert support and helping extend the life of their instruments. It also provides a consistent source of work, even during quieter retail periods.</p>
<p data-start="2456" data-end="2885">Jake’s journey into running the shop began with a small market stall selling basic accessories. Over time, he expanded his stock, moved into larger premises, and gradually built The Music Vault into a well-established local business. While he has explored online sales, he acknowledges the challenges of maintaining a website for secondhand gear, as each item requires individual listings, detailed descriptions, and photographs.</p>
<p data-start="2887" data-end="3269" data-is-last-node="" data-is-only-node="">Overall, the interview highlights the enduring value of independent music shops. More than just retail spaces, they serve as <strong data-start="3012" data-end="3103">community hubs where musicians can connect, receive advice, and try equipment in person</strong>. In an era where many high street stores are disappearing, The Music Vault demonstrates that with the right approach, independent music shops can continue to thrive.</p>
</div></div><div class="et_pb_image_1 et_pb_image et_pb_module et_flex_module"><a href="https://musicvault.co.uk/?srsltid=AfmBOoo9KUwSDXxGbAVUDBSfcPvXYMFaz-Eg-9jQNpKgSrqgI33c6DRL" target="_blank" rel="noopener"><span class="et_pb_image_wrap"><img loading="lazy" decoding="async" width="919" height="535" src="https://newmusicreview.co.uk/wp-content/uploads/2026/04/Music-Vault-Logo.jpg" alt="Music Vault" title="Music Vault Logog" class="wp-image-11976" srcset="https://newmusicreview.co.uk/wp-content/uploads/2026/04/Music-Vault-Logo.jpg 919w, https://newmusicreview.co.uk/wp-content/uploads/2026/04/Music-Vault-Logo-480x279.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 919px, 100vw" /></span></a></div></div></div></div><div class="et_pb_section_65 et_pb_section et_section_regular et_flex_section"><div class="et_pb_row_65 et_pb_row et_flex_row"><div class="et_pb_column_67 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone"><ul class="et_pb_social_media_follow_8 et_pb_social_media_follow et_pb_bg_layout_light et_pb_module et_flex_module"><li class="et_pb_social_media_follow_network_28 et_pb_social_media_follow_network et_pb_social_icon et_pb_social_network_link et-social-facebook et_pb_module et_flex_module"><a href="https://www.facebook.com/musicvaulttelford" class="icon" target="_self" title="Follow on Facebook" rel="noopener"><span class="et_pb_social_media_follow_network_name">Follow</span></a></li><li class="et_pb_social_media_follow_network_29 et_pb_social_media_follow_network et_pb_social_icon et_pb_social_network_link et-social-instagram et_pb_module et_flex_module"><a href="https://www.instagram.com/musicvaulttelford/" class="icon" target="_self" title="Follow on Instagram" rel="noopener"><span class="et_pb_social_media_follow_network_name">Follow</span></a></li></ul></div></div></div>]]></content:encoded>
					
		
		
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		<title>Guitar FX Review &#8211; Caline Overdrive pedal</title>
		<link>https://newmusicreview.co.uk/guitar-fx-review-caline-overdrive-pedal/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 19:18:22 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Gear Reviews]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11932</guid>

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<p data-start="0" data-end="444">In this video, I take a closer look at the <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Caline</span></span> Andes Overdrive pedal—one of those budget-friendly units that makes a pretty bold claim: not only does it function as an overdrive, but it supposedly doubles as a compressor too. That’s an unusual combo, especially at this price point, so the big question is whether it genuinely delivers on that promise or if it’s just clever marketing dressed up in pedal form.</p>
<p data-start="446" data-end="848">I originally picked this up as part of a “4 FX pedals for £100” bundle last year, so I went in with fairly modest expectations. But as is often the case with cheaper gear, sometimes you stumble across surprising character—or some equally interesting flaws. The Andes definitely falls into that category, with a few quirks in its response, controls, and tonal behaviour that make it worth a deeper dive.</p>
<p data-start="850" data-end="1194">In the demo, I’ll break down how it performs in a typical overdrive role—looking at gain range, transparency, and how it interacts with different pickup types—before putting its “compressor-like” qualities to the test. Does it actually smooth out dynamics and add sustain in a meaningful way, or is it just a slightly squishy overdrive circuit?</p>
<p data-start="1196" data-end="1433" data-is-last-node="" data-is-only-node="">If you’re into affordable pedals, tone experimentation, or just curious about hidden gems in the budget market, this one’s an interesting case. Let’s find out whether the Andes earns a spot on your board… or ends up being one to pass on.</p>
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		<title>Fuzzolini &#8211; Born To Burn ( Indie / Rock Punk ) Review</title>
		<link>https://newmusicreview.co.uk/fuzzolini-born-to-burn-indie-rock-punk-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Mon, 23 Mar 2026 21:27:13 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[alt. pop]]></category>
		<category><![CDATA[fuzz rock]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11916</guid>

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<div class="et_pb_text_28 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Fuzzolini - Born To Burn</strong></p>
<p data-start="1016" data-end="1275">The name is accurate....fuzziest of fuzz pedals abundance adorn this track, with a hardline chord structure the vocal is actually failr tame by comparison.</p>
<p data-start="1016" data-end="1275">The lyric melody is quite nice, with some well harmonised backing vocals its constructed well, the guitars do not let up, pumping out the Fuzz till the death, with some cool licks and riffs thrown in.</p>
<p data-start="1016" data-end="1275">Produced in a manner befitting the genre, it sounds good, try it for yourself.</p>
<p data-start="1016" data-end="1275">Taken from the Album - Beauty Exists In Everyone</p>
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<div class="et_pb_heading_8 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Fuzzolini on Spotify</h1></div></div>

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<div class="et_pb_text_29 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">Fuzzolini - New Release “Born To Burn”</h1>
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<p data-start="0" data-end="265">Led by Valter Nõmm (of Tallinn noise veterans Shelton San), Fuzzolini is less a band and more a rotating collective drawn from Estonia’s underground. Instead of a fixed lineup, each track introduces a new collaborator, creating a shifting cast of voices and styles.</p>
<p data-start="267" data-end="568">The result is <em data-start="281" data-end="308">Beauty Exists in Everyone</em> — an album that feels both chaotic and cohesive, moving fluidly between noise rock, experimental electronics, punk, and avant-pop. While collaboration is common in pop, it’s rare in alternative rock; Fuzzolini flips that idea into the project’s core identity.</p>
<p data-start="570" data-end="975">Sonically, the album drifts between hypnotic noise, raw punk energy, eerie synth textures, and flashes of unexpected pop. Tracks like “Ghost Beyond The Glass” and “Twilight Haze” explore darker atmospheres, while “Born to Burn” delivers a striking blend of alt-pop and fuzz-heavy guitars. The closing track, “Empty Street,” pushes things furthest, ending on a haunting note with free-improvisation vocals.</p>
<p data-start="977" data-end="1310">At the centre is a core lineup featuring Filipp Lepalaan (Talbot) on drums, Kristi Jõeste on analogue synths, and Margus Voolpriit (Pia Fraus / Wolfredt) on bass, alongside producer Magnus Andre. Around them, a wide circle of collaborators—from Mari-Liis Rebane (Vul Vulpes) to experimental pop artist MANNA—brings the album to life.</p>
<p data-start="1312" data-end="1565" data-is-last-node="" data-is-only-node="">More than just a record, <em data-start="1337" data-end="1364">Beauty Exists in Everyone</em> captures a moment in Tallinn’s underground: a cross-section of artists, genres, and generations creating something unpredictable and alive—and a compelling introduction to Estonia’s alternative scene.</p>
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<div class="et_pb_text_30 et_pb_text et_pb_bg_layout_light et_clickable et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their Soundcloud </strong>below</h3>
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		<title>Samuel &#8211; Good Thing ( Pop /R&#038;B ) Review</title>
		<link>https://newmusicreview.co.uk/samuel-good-thing-pop-randb-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sun, 22 Mar 2026 21:20:15 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[Folk]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11907</guid>

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<div class="et_pb_text_33 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Samuel - Good Thing - Review</strong></p>
<p data-start="1016" data-end="1275">A warm and soft intro opens the track, nice mellow chords with a super smooth vocal tone from Samuel.</p>
<p data-start="1016" data-end="1275">The pace picks up a bit with some added instrumention and some cool sounds going on, the vocal gets more width in the stereo space, the Bass is particularly nice  on this song.</p>
<p data-start="1016" data-end="1275">The mix and production is spot on for this style, very well presented, if your looking for relaxing pop , this could be for you. </p>
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<div class="et_pb_heading_10 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Samuel on Spotify</h1></div></div>

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<div class="et_pb_text_34 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">Samuel - New release - Good Thing ( Pop )</h1>
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<p data-start="0" data-end="241">Latets Release "Good Thing" captures that quiet, unsettling moment when you realise you were the one who let something rare slip away. It’s not framed as a typical breakup song, but rather as a confession—controlled, deliberate, and deeply uncomfortable.</p>
<p data-start="243" data-end="639">Samuel, a 26-year-old Paris-born singer, songwriter and producer, operates between London, Paris and Milan, an artist shaped by movement, perspective and intention. Described as “the pop scene’s newest member” by <em data-start="455" data-end="467">Wonderland</em>, he writes and produces his own material, maintaining full creative control across his releases. His work is defined by clarity, restraint and a strong sense of direction.</p>
<p data-start="641" data-end="949">Born into a family of musicians, Samuel committed to music at 18, shortly after graduating, while studying International Business in London. He first launched his career in France in 2018 with the debut single <em data-start="851" data-end="870">50 nuances de toi</em>, followed by a steady run of releases that led to a full-length album in 2024.</p>
<p data-start="951" data-end="1260" data-is-last-node="" data-is-only-node="">With Good Thing, he enters a new phase as a fully independent artist. The track reflects his evolving identity, lending French sensibility with UK-leaning indie pop. Subtle, precise and emotionally direct, Samuel represents a new generation of European artists creating with a clear international outlook.</p>
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		<title>Chloe Carbone &#8211; Another One ( Rock / Acoustic ) Review</title>
		<link>https://newmusicreview.co.uk/chloe-carbone-another-one-rock-acoustic-new/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sat, 07 Mar 2026 13:58:20 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
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		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11818</guid>

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<div class="et_pb_text_38 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Chloe Carbone - New Pop / Rock Release - Another One </strong></p>
<p data-start="1016" data-end="1275">Guitar inspired track here, with a ambient intro it soon kicks into a more hardline vibe with some overdriven chords and edgy voclal style.</p>
<p data-start="1016" data-end="1275">Chloe has a good tone, and the ability to switch things up a notch when needed, giving this track some bite and extra dynamics.</p>
<p data-start="1016" data-end="1275">The overall groove is nice, good tempo, production works well, deserves some attention !</p>
<p data-start="1016" data-end="1275">Check it out.</p>
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<div class="et_pb_heading_12 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Chloe Carbone on Spotify</h1></div></div>

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<div class="et_pb_text_39 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">Chloe Carbone - Another One - New Pop / Rock Release</h1>
<p data-start="219" data-end="558">Los Angeles–based singer-songwriter and multi-instrumentalist <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Chloe Carbone</span></span> blends indie rock with the spirit of classic alternative records. Performing regularly around <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Los Angeles</span></span>, Carbone focuses on authentic instrumentation, layered vocal harmonies, and performance-driven songwriting.</p>
<p data-start="560" data-end="907">Her latest single, <strong data-start="579" data-end="597">“Another One,”</strong> showcases a guitar-driven sound built around expressive vocals and dynamic arrangements. The acoustic guitar that opens the track originally began as a temporary demo riff Chloe recorded while sketching the song — but the moment felt so natural that it ultimately became the foundation of the final recording.</p>
<h3 data-section-id="1c8xp5e" data-start="909" data-end="943">Behind the Song: “Another One”</h3>
<p data-start="945" data-end="1037">The track carries several personal and musical details that give it a distinctive character:</p>
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<p data-start="1041" data-end="1250">The electric guitar parts were performed by Chloe’s brother, Dexter Carbone, recorded through a <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Mesa Boogie</span></span>amplifier and captured with a single **Shure SM57 microphone.</p>
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<p data-start="1253" data-end="1413">Chloe and Dexter have been playing in bands and recording music together since grade school, a collaboration that continues to shape her recordings today.</p>
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<p data-start="1416" data-end="1655">Chloe is known for building stacked vocal harmonies. During mixing, the music was briefly lowered to highlight the harmony layers — the moment sounded so compelling it was turned into a breakdown section in the final arrangement.</p>
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<p data-start="1658" data-end="1856">The song subtly bookends itself with the acoustic guitar: it begins with the original demo riff and ends with the same instrument remaining as the last sound when the other elements fade away.</p>
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<p data-start="1859" data-end="2004">In the song’s outro, a quiet low harmony beneath Chloe’s voice is sung by her father, adding a subtle family connection to the recording.</p>
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<p data-start="2006" data-end="2214">With its mix of heartfelt songwriting, guitar-driven arrangements, and personal touches in the studio, “Another One” highlights Chloe Carbone’s approach to making intimate, performance-focused indie rock.</p>
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		<title>Lana Crow &#8211; Unknow The Known ( Indie / Pop Punk ) Review</title>
		<link>https://newmusicreview.co.uk/lana-crow-unknow-the-known-pop-punk-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 21:20:13 +0000</pubDate>
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		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=11804</guid>

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<div class="et_pb_text_44 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Lana Crow - Unknown The Unknown Review</strong></p>
<p data-start="1016" data-end="1275">All the ingredients of classic Punk Pop in this new release from Lana Crow, supercharged palm muted guitars, solid drum beats, all held together with an underlying Bass groove.</p>
<p data-start="1016" data-end="1275">The lyric is melodical but strong and upfront, the chorus hits us hard and fast, doing the job just fine.</p>
<p data-start="1016" data-end="1275">Mix and production is spot on for this genre, and with a track time of less than 2 min 30s you get a quick dopamine fix, check it for yourself !</p>
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<div class="et_pb_heading_14 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Lana Crow on Spotify</h1></div></div>

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<div class="et_pb_text_45 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">Lana Crow - New Single “Unknow The Known”</h1>
<p data-start="218" data-end="480">Rising pop-rock powerhouse <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Lana Crow</span></span> is set to shake up the airwaves with her latest single <strong data-start="338" data-end="361">“Unknow The Known.”</strong>The fast-paced anthem trades comfort for clarity, delivering a sharp commentary on modern society’s growing divisions.</p>
<p data-start="482" data-end="758">Produced by <strong data-start="494" data-end="527">Grammy Award-winning producer</strong> <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Tristan Boston</span></span>, the track arrives at a time when public discourse often feels louder than ever. Rather than adding to the noise, Crow’s new release challenges listeners to question what they believe—and why.</p>
<p data-start="800" data-end="896">For Crow, the inspiration behind <strong data-start="833" data-end="855">“Unknow The Known”</strong> came from a deeply personal realization.</p>
<p data-start="898" data-end="1063">For years, she struggled with self-doubt, viewing her tendency to question herself as a flaw. Over time, however, she began to see it as something far more powerful.</p>
<p data-start="898" data-end="1063">“I grew up despising my lack of self-confidence and conviction, always second-guessing myself,” says Lana Crow.</p>
<p data-start="1067" data-end="1305">“I used to see it as a weakness. But today, I watch a world full of people who are overly confident in their own beliefs.”</p>
<p data-start="1307" data-end="1429">As debates and opinions grow more polarized, Crow believes uncertainty can actually create space for deeper understanding.</p>
<p data-start="1307" data-end="1429">“When I look at people like myself—those who were never overly sure of their own ideas—I realize that, in many ways, we have more clarity about what's happening. It is not a bad idea to question yourself and the information you receive.”</p>
<h2 data-section-id="eakudg" data-start="1677" data-end="1723">Thought-Provoking Lyrics</h2>
<p data-start="1725" data-end="1937">Musically, <strong data-start="1736" data-end="1758">“Unknow The Known”</strong> is a high-energy blend of <strong data-start="1785" data-end="1827">pop-rock attitude and indie-pop polish</strong>. Gritty guitar riffs drive the track forward, while soaring melodies give the song a powerful emotional lift.</p>
<p data-start="1939" data-end="2033">Lyrically, Crow encourages listeners to challenge assumptions and rethink accepted narratives.</p>
<p data-start="2243" data-end="2384">Rather than encouraging louder arguments, the song promotes a quieter but more powerful response: observation, reflection, and curiosity.</p>
<p data-start="2386" data-end="2544">Crow suggests that if people paused to ask why they prefer certain information before rushing to judge, the world might become a more understanding place.</p>
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