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		<title>The Wildlands &#8211; Mountains ( Country Rock / Pop )</title>
		<link>https://newmusicreview.co.uk/the-wildlands-mountains-country-rock-pop/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sat, 09 May 2026 17:40:40 +0000</pubDate>
				<category><![CDATA[Fresh Finds]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[indie music]]></category>
		<category><![CDATA[Metal]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[rock]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12269</guid>

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<div class="et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2 data-start="139" data-end="468">The Wildlands - Mountains (  Country Rock  / Pop ) Review</h2>
<p> </p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> NMR -  Great rhythm and groove on this track, upbeat tempo with the strings sitting in amongst the acoustic guitars, the gritty vocal pulls things together with the additon of some really nice harmonies.</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>The arrangment keeps things interesting, the mix and production is very nice too.  </em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> </em></strong><strong><em> </em></strong></p>
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<p data-start="39" data-end="253" style="padding-left: 40px;">The Wildlands are a four-piece band from Dallas, Texas, formed in 2024. They made their debut the same year with their first single, <em data-start="172" data-end="182">“Darlin”</em>, followed by two more releases in 2025, <em data-start="223" data-end="233">“Change”</em> and <em data-start="238" data-end="252">“Mr. Bones.”</em></p>
<p data-start="255" data-end="443" style="padding-left: 40px;">The band have kept up the momentum into 2026 with two new singles, <em data-start="322" data-end="336">“Fever Wolf”</em> and <em data-start="341" data-end="355">“Mountains,”</em> building anticipation for their upcoming six-track EP, set for release on May 14, 2026.</p>
<p data-start="445" data-end="640" style="padding-left: 40px;">Drawing influence from the ’90s and spanning across multiple decades of rock, The Wildlands embrace an eclectic sound. Their philosophy is simple: a good song is a good song, regardless of genre.</p>
<p data-start="642" data-end="994" style="padding-left: 40px;">Formed through what they describe as the “magic of music,” the group began as four strangers who quickly found a strong creative and personal connection. It’s a rare chemistry—one that not only fuels their music but also makes the process genuinely enjoyable. When that kind of magic appears, it’s something worth holding onto and letting lead the way.</p>
<p data-start="996" data-end="1254" style="padding-left: 40px;">At the core of the band’s songwriting are Dean (guitar) and Brian (lead vocals/guitar), who have been writing music together for over 12 years. The Wildlands emerged from the remnants of two previous projects, with the pair determined to build something new.</p>
<p data-start="1256" data-end="1391" style="padding-left: 40px;">That vision came to life with the addition of Pierre and Emily, both of whom have become integral to shaping the band’s evolving sound.</p>
<p data-start="1393" data-end="1463" data-is-last-node="" data-is-only-node="" style="padding-left: 40px;">The journey is just getting started—step in and explore The Wildlands.</p>
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		<title>YaYa Whatever &#8211; Kickback ( Electro / Pop ) Review</title>
		<link>https://newmusicreview.co.uk/yaya-whatever-kickback-electro-pop-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Fri, 08 May 2026 17:28:37 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop punk]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12253</guid>

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<div class="et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - YaYa Whatever - Kickback</strong></p>
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<p data-start="84" data-end="264">Fresh-sounding track from Ya Ya Whatever, with a solid pop groove and a well-constructed arrangement. There’s some nice instrumentation and a good sense of stereo width throughout.</p>
<p data-start="266" data-end="415">The vocal sits nicely in the mix, with catchy melodies and a big chorus. The drop adds some dynamics and leads back into an outro chorus effectively.</p>
<p data-start="417" data-end="528" data-is-last-node="" data-is-only-node="">It doesn’t veer too far off the beaten pop path, but it’s well-produced and carries a strong contemporary feel.</p>
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<div class="et_pb_heading_1 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">YaYa Whatever on Spotify</h1></div></div>

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<div class="et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p data-start="164" data-end="469" style="padding-left: 40px;">Alt/pop riser YaYa Whatever is back with a high-energy new release, delivering an absolute banger with her latest single, “Kickback.” Bursting with attitude and nostalgia, the track captures the reckless freedom of youth—think cigarette smoke, train-hopping adventures, and growing up wild in Chicago.</p>
<p data-start="471" data-end="605" style="padding-left: 40px;">Set for release on May 7, 2026, “Kickback” is available across all streaming platforms and marks a bold evolution in YaYa’s sound.</p>
<p data-start="607" data-end="1036" style="padding-left: 40px;">Following the success of her beautifully melancholic debut “What’d You Expect?”, YaYa pivots into something far more explosive. “Kickback” embraces a “catchy chaotic” energy, layering pounding drums, shimmering synths, gritty guitars, and soaring melodies into a frenzied electro/rock-pop anthem. The result is a track that feels both nostalgic and urgent—like the last moments of true carefree living before reality sets in.</p>
<p data-start="1038" data-end="1279" style="padding-left: 40px;">Blending hyperpop textures with a deep-rooted love for rock ‘n’ roll, YaYa Whatever crafts a sound that feels fresh yet emotionally familiar. With this release, she firmly positions herself as one of the alt/pop artists to watch in 2026.</p>
<p data-start="1281" data-end="1560" style="padding-left: 40px;">Recorded in her personal studio sanctuary in North Hollywood, “Kickback” was produced by Jose Alcantar and Frankie IV. The song plays like a vivid daydream—immersive, energetic, and emotionally charged—exploring themes of love, longing, and the intensity of life’s “first times.”</p>
<p data-start="1281" data-end="1560" style="padding-left: 40px;">“Being young and feeling like you and your friends own the city is a whole vibe—you can’t ever get it back, and some people spend their whole lives chasing after it,” YaYa shares.</p>
<blockquote data-start="1745" data-end="1990" style="padding-left: 40px;">
<p data-start="1747" data-end="1990" style="padding-left: 40px;">“I hope this song reminds people to REALLY enjoy life while it’s happening, because we did a lot more of that when we were kids. This song is a love letter to Chicago, all the boys I had crushes on, and the friends who got me through so much.”</p>
</blockquote>
<p data-start="1992" data-end="2209" style="padding-left: 40px;">Adding another layer of authenticity, the track features sampled sounds from Chicago’s CTA train system, which appear in the bridge and outro—pulling listeners deeper into YaYa’s world and the memories that shaped it.</p>
<p data-start="2211" data-end="2335" data-is-last-node="" data-is-only-node="" style="padding-left: 40px;">With “Kickback,” YaYa Whatever doesn’t just release a song—she captures a feeling. And it’s one you won’t want to let go of.</p>
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<div class="et_pb_text_6 et_pb_text et_pb_bg_layout_light et_clickable et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their YouTube </strong>below</h3>
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		<title>Pick Up Goliath &#8211; Black Sugar ( Metal / Rock ) Review</title>
		<link>https://newmusicreview.co.uk/pick-up-goliath-black-sugar-metal-rock-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Wed, 06 May 2026 20:15:58 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop punk]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12239</guid>

					<description><![CDATA[]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section_36 et_pb_section et_section_regular et_block_section">
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<div class="et_pb_text_10 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Pick Up Goliath - Black Sugar Review</strong></p>
<p data-start="0" data-end="285">Metal with a difference, honestly this track seems to contain so many other grooves wrapped up in a Metal banner, its pulls in Pop, melodic Metal, Thrash and even a hint of rap, a true mix of genres .</p>
<p data-start="0" data-end="285">I think I also detect some synth sequences in there, the instrumentation on this is pretty amazing, the mix and production is just as intense, the dynamics are awesome, and the track doesnt miss a beat.</p>
<p data-start="0" data-end="285">I have heard this band befeore and Im not surprised at this level of expertise.</p>
<p data-start="0" data-end="285">Give your ears a treat...check it out.</p>
<p data-start="0" data-end="285">
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<div class="et_pb_heading_3 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Pick Up Goliath on Spotify</h1></div></div>

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<div class="et_pb_text_11 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216"><span>Pick Up Goliath Returns with “Black Sugar” Ahead of Concept EP </span><em data-start="177" data-end="192">Salt &amp; Static</em></h1>
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<p data-start="194" data-end="463" style="padding-left: 40px;"><strong> Producer, songwriter, and multi-instrumentalist Sam George, the creative force behind <em data-start="305" data-end="322">Pick Up Goliath</em>, returns with “Black Sugar”, the second single from his forthcoming conceptual EP <em data-start="409" data-end="424">Salt &amp; Static</em>, set for release on 24 April 2026.</strong></p>
<p data-start="465" data-end="867" style="padding-left: 40px;">Following the deeply personal impact of <em data-start="505" data-end="531">Hope is a Hell of a Drug</em>, George continues to explore the emotional and psychological terrain that defines <em data-start="614" data-end="629">Salt &amp; Static</em>. The six-track EP is a conceptual project centered on men’s mental health, examining the collision between body and mind—where physical strain (“salt”) meets the chaotic interference of intrusive thoughts and emotional unrest (“static”).</p>
<h3 data-section-id="1jia29g" data-start="874" data-end="906" style="padding-left: 40px;">A Strong Foundation</h3>
<p data-start="908" data-end="1030" style="padding-left: 40px;">The first single was met with a powerful critical response, praised for both its emotional weight and compositional depth.</p>
<p data-start="1032" data-end="1265" style="padding-left: 40px;">Nicole Mendes of <em data-start="1049" data-end="1073">The Other Side Reviews</em> described it as <em data-start="1090" data-end="1155">“a tempestuous storm… bound by intricate invisible structures,”</em> while Michael Jamo of <em data-start="1178" data-end="1188">Song Web</em> noted, <em data-start="1196" data-end="1265">“He doesn’t romanticise suffering… he shapes it with rare clarity.”</em></p>
<p data-start="1267" data-end="1554" style="padding-left: 40px;">Other outlets echoed similar sentiments. <em data-start="1308" data-end="1323">ExtravaFrench</em> highlighted its intensity, writing, <em data-start="1360" data-end="1436">“It doesn’t lift you, it pulls you under, crushes you, then rebuilds you,”</em> while <em data-start="1443" data-end="1454">FalcoDice</em> observed, <em data-start="1465" data-end="1554">“It feels personal, a bit messy, and very real—and that’s exactly what makes it stick.”</em></p>
<h3 data-section-id="to4gii" data-start="1561" data-end="1609" style="padding-left: 40px;">“Black Sugar” Explores the Pull of Addiction</h3>
<p data-start="1611" data-end="1759" style="padding-left: 40px;">With “Black Sugar,” George shifts focus from the cyclical tension between hope and despair into darker, more insidious territory: addiction.</p>
<p data-start="1761" data-end="2047" style="padding-left: 40px;">Through stark personal reflection and layered metaphor, the track explores the seductive pull of destructive behaviours and substances. It captures the uneasy awareness of harm alongside the inability to let go—where something toxic becomes a source of comfort, routine, and dependency.</p>
<p data-start="2049" data-end="2226" style="padding-left: 40px;">At its core, the song navigates the fragile boundary between <strong data-start="2110" data-end="2135">control and surrender</strong>, revealing how self-destructive patterns can embed themselves deeply within everyday life.</p>
<h3 data-section-id="txwth3" data-start="2233" data-end="2265" style="padding-left: 40px;">Expanding the  Identity</h3>
<p data-start="2267" data-end="2365" style="padding-left: 40px;">Musically, <em data-start="2278" data-end="2291">Black Sugar</em> builds on the sonic foundation established in the first single, blending:</p>
<ul>
<li style="list-style-type: none;">
<ul data-start="2367" data-end="2458">
<li data-section-id="1mco82r" data-start="2367" data-end="2400">Modern metalcore aggression</li>
<li data-section-id="1uydkhy" data-start="2401" data-end="2426">Cinematic atmospheres</li>
<li data-section-id="ar1tds" data-start="2427" data-end="2458">Subtle synthwave textures</li>
</ul>
</li>
</ul>
<p data-start="2460" data-end="2641" style="padding-left: 40px;">The result is a dynamic and immersive soundscape. Melodic elements draw listeners in, only to expose an undercurrent of instability—perfectly mirroring the track’s thematic tension.</p>
<h3 data-section-id="1fbepgy" data-start="2648" data-end="2678" style="padding-left: 40px;">An Honest Creative Process</h3>
<p data-start="2680" data-end="2722" style="padding-left: 40px;">Speaking about the track, George explains:</p>
<blockquote data-start="2724" data-end="3068" style="padding-left: 40px;">
<p data-start="2726" data-end="3068" style="padding-left: 40px;">“These songs come from experiences that were difficult to revisit, and in some cases difficult to admit out loud. <em data-start="2840" data-end="2853">Black Sugar</em> is about recognising something as destructive—even toxic—but still feeling pulled towards it. There’s a strange comfort in the things that hurt us, and that contradiction is something I wanted to explore honestly.”</p>
</blockquote>
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		<title>Dolly Creamer &#8211; Cyclone ( American / Pop )</title>
		<link>https://newmusicreview.co.uk/dolly-creamer-cyclone-american-pop-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Mon, 04 May 2026 20:30:18 +0000</pubDate>
				<category><![CDATA[Fresh Finds]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[indie music]]></category>
		<category><![CDATA[Metal]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[rock]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12230</guid>

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<div class="et_pb_text_14 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2 data-start="139" data-end="468">Dolly Creamer - Cyclone (  American  / Pop ) Review</h2>
<p> </p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> NMR -  This groove is as much at home here as it would be at Woodstock, a jangley guitar vibe and Pulsing rhythm, with licks and riffs thrown in.</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>The vocal has that double track / chorus sounds to it, again a retro feel, the wide mix sounds good, melodies are nice and work well, overall a well produced song.  </em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>  </em></strong></p>
<p data-start="135" data-end="469">The cassette release arrives as a limited physical edition, hand-produced in the spirit of the band’s earlier <em data-start="249" data-end="268">Scorpion Lollipop</em> lathe-cut run—famously capped at just 99 copies and crafted entirely by hand. This marks Dolly Creamer’s first physical release on Slouch Records, adding an extra layer of collectibility for fans.</p>
<p data-start="471" data-end="492"><em data-start="471" data-end="492">Photo by Lexi Bonin</em></p>
<p data-start="494" data-end="816">Dolly Creamer feels like that one beautifully unfiltered, slightly chaotic poet friend—the kind who picks up a guitar because making clothes just wasn’t enough to channel the cosmic joke. The project began in late 2022 in Tucson, Arizona, founded by Sarah Harris, and quickly expanded beyond its humble back-porch origins.</p>
<p data-start="818" data-end="1165">Drawing from a loose, unpredictable blend of grunge, country, and punk, Dolly Creamer and their ever-evolving collective—now embedded in the LA indie scene—have attracted a wide range of descriptions: <em data-start="1023" data-end="1070">“gruntry,” “cringe americana,” “female Ween,”</em> even <em data-start="1076" data-end="1101">“post-glam heart punk.”</em> None of them quite land perfectly—and that’s exactly the point.</p>
<h3 data-section-id="bcjluf" data-start="1167" data-end="1180"><span role="text"><em data-start="1171" data-end="1180">Cyclone</em></span></h3>
<p data-start="1182" data-end="1454"><em data-start="1182" data-end="1191">Cyclone</em> unfolds as a slow-burning, pulse-driven track—both melancholic and oddly gleeful. It explores the quiet compromises we make in relationships, whether as friends or lovers, and how those very concessions often become the things we ache for most once they’re gone.</p>
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		<title>Brixtone &#8211; The Mirror Stars ( Electro / Pop )</title>
		<link>https://newmusicreview.co.uk/brixtone-the-mirror-stars-electro-pop-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sun, 03 May 2026 18:07:00 +0000</pubDate>
				<category><![CDATA[Fresh Finds]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[indie music]]></category>
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<div class="et_pb_text_16 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2 data-start="139" data-end="468">Brixtone - The Mirror Stars (  Electro / Pop ) Review</h2>
<p> </p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> NMR -  A flash back for me to 80's style electronic synth pop, really cool drum sounds and patterns, the synths are equally good, the super wide vocal has a disntinct vibe, almost Bowie style,  not sure if its double track or FX, but its suits the track.</em></strong><a href="https://open.spotify.com/album/5BIXGU3ZTxLOGekgJklqSN?si=XUdQ9TwBSyaF0eL7lvF1Bg" target="_blank" rel="noopener"><strong><em></em></strong></a></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>The track has an evolving structure, adding elements as it moves forward, but the back drop always the drum  / synth groove.</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>I like it ... </em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em></em></strong></p>
<p data-start="171" data-end="310" style="padding-left: 40px;">A blood-bound collision between half-brothers Paul and Pete Brixtone, raised in opposite worlds yet drawn toward the same rupture in sound.</p>
<p data-start="312" data-end="433" style="padding-left: 40px;">One brings instinct, abrasion, and noise.<br data-start="353" data-end="356" />The other brings structure, discipline, and an architectural sense of melody.</p>
<p data-start="435" data-end="478" style="padding-left: 40px;">What emerges is volatile—controlled damage.</p>
<p data-start="480" data-end="762" style="padding-left: 40px;">Their debut <em data-start="492" data-end="519">Never Play to the Gallery</em> has already begun carving out its own mythology, earning strikingly positive reviews and being described as an <em data-start="631" data-end="670">“electro-rock-post-punk-jazz entity.”</em> It’s a restless, shape-shifting mass of sound, stretched tight between decay and precision.</p>
<p data-start="764" data-end="809" style="padding-left: 40px;">This isn’t nostalgia. This is reconstruction.</p>
<p data-start="811" data-end="982" style="padding-left: 40px;">BRIXTONE operates in the unstable space between signal and collapse—where rhythm mutates, melodies corrode, and structure feels perpetually on the brink of disintegration.</p>
<p data-start="984" data-end="1061" style="padding-left: 40px;"><em data-start="984" data-end="1011">Never Play to the Gallery</em> doesn’t follow the faultline. It cuts through it.</p>
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		<title>Caleb Keepin&#8217; &#8211; Settle Down ( Pop / Acoustic )</title>
		<link>https://newmusicreview.co.uk/caleb-keepin-settle-down-pop-acoustic/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sat, 02 May 2026 13:04:04 +0000</pubDate>
				<category><![CDATA[Fresh Finds]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[indie music]]></category>
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<div class="et_pb_text_18 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2 data-start="139" data-end="468">Caleb Keepin' - Settle Down (  Pop  / Acoustic ) Review</h2>
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<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> NMR - Nice big intro with the guitar chords washed with chorus and reverb, then a drop to the more mellow verse, its a nice mix.</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>The Chorus is dropped over the same into structure, nice width, a good uplift in dynamics.</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>The vocal sounds good, some nice added instrumentation to add colour and build the track, overall a very nice produced track.</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><a href="https://open.spotify.com/album/5BIXGU3ZTxLOGekgJklqSN?si=XUdQ9TwBSyaF0eL7lvF1Bg" target="_blank" rel="noopener"><strong><em>Check the Album Here   </em></strong></a></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em></em></strong></p>
<p data-start="173" data-end="447">New Zealand artist Caleb Keepin’ returns with another deeply personal release, <em data-start="252" data-end="268">“Settle Down.”</em> Rooted in his pop, rock, and indie influences, the track blends energetic instrumentation with a reflective message about building a sense of home—no matter where life takes you.</p>
<p data-start="449" data-end="762">Having lived in three different countries over the past three years, Caleb draws from a period marked by constant change, shifting plans, and evolving expectations. This experience shapes the heart of <em data-start="650" data-end="666">“Settle Down,”</em> where the idea of home is redefined—not as a destination, but as something you actively create.</p>
<p data-start="764" data-end="929">Lyrics like <em data-start="776" data-end="811">“But our home is a familiar face”</em> and <em data-start="816" data-end="848">“Make it what we promised now”</em> highlight this perspective, emphasising connection and commitment over location.</p>
<p data-start="931" data-end="972">Speaking about the track, Caleb shares:</p>
<blockquote data-start="973" data-end="1182">
<p data-start="975" data-end="1182">“The last few years have been full of many surprises and ups and downs. The dream was always to create a home for myself and my wife—it just looks so different to how I thought it would be, and that’s okay.”</p>
</blockquote>
<p data-start="1184" data-end="1393">Following the release of his debut album <em data-start="1225" data-end="1245">“Concept of Life,”</em> <em data-start="1246" data-end="1261">“Settle Down”</em> continues to showcase Caleb Keepin’s signature style—personal, heartfelt songwriting paired with guitar-driven pop-rock production.</p>
<h3 data-start="485" data-end="683"><strong></strong></h3>
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		<title>Soulbird &#8211; Meet You There ( Pop / Rock )</title>
		<link>https://newmusicreview.co.uk/soulbird-meet-you-there-pop-rock-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sat, 02 May 2026 09:28:35 +0000</pubDate>
				<category><![CDATA[Fresh Finds]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[indie music]]></category>
		<category><![CDATA[new music]]></category>
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		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12193</guid>

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<div class="et_pb_text_20 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2 data-start="139" data-end="468">Soulbird - Meet You There (  Pop  / Rock) Review</h2>
<p> </p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> NMR - Very soulful intro, nice smooth guitar chords and a walking Bassline, the vocal style and tone is nice, all very laid back.</em></strong><strong><em></em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>Some nice instrumental additions, the Bass woprkm becam more noticable for me as it builds, the track then takes a tempo twist and really picks up, I have to say its worth waiting for this as it sounds really good, the slide style guitar and fastr rhythm patterns adds some real dynamics.  </em></strong><strong><em></em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>Tell them what you think ...;-)</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em></em></strong></p>
<p data-start="77" data-end="274"><strong data-start="77" data-end="89">Soulbird</strong> are an emerging alt-rock band from Adelaide, South Australia, crafting a distinctive and dynamic sound that seamlessly blends groovy, hard-hitting rock with ethereal, melodic textures.</p>
<p data-start="276" data-end="483">In 2025, the band made their festival debut at Space Jams Festival, where they received an enthusiastic response from both audiences and organisers alike—marking a strong step forward in their live presence.</p>
<p data-start="485" data-end="683">Their 2025 single <em data-start="503" data-end="515">“Spare Me”</em> further cemented their growing reputation, earning a spot in <em data-start="577" data-end="594">City Magazine’s</em> “Best Music of the Month” feature, as well as airplay on Three D Radio’s <em data-start="668" data-end="674">20+1</em> program.</p>
<p data-start="485" data-end="683"><span>We are in the early stages of working on our next release which will be our debut album but more on that soon! For now, you can keep up to date with all of Soulbird's latest news and upcoming shows via our Instagram page, Soulbirdmusic.</span></p>
<p data-start="485" data-end="683"><span></span></p>
<h3 data-start="485" data-end="683"><strong><a href="https://open.spotify.com/album/0Fsz114YSffxK1zRrHFYOu?si=jCIOfbGdRRaN5wmGED3XlQ" target="_blank" rel="noopener">Check out the EP here </a></strong></h3>
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		<title>Kerosene Cocktail &#8211; Polaroids ( Indie / Pop Punk )</title>
		<link>https://newmusicreview.co.uk/kerosene-cocktail-polaroids-indie-pop-punk/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 20:08:33 +0000</pubDate>
				<category><![CDATA[Fresh Finds]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[indie music]]></category>
		<category><![CDATA[Metal]]></category>
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		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12184</guid>

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<div class="et_pb_text_22 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h2 data-start="139" data-end="468">Kerosene Cocktail - Polaroids ( Indie / Pop Punk) Review</h2>
<p> </p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em> NMR - High energy intro with some great guitar riffs, into a solid chord structure, reminding me of a mix of Pink and Greenday rolled into one, pretty nice vibe.</em></strong><strong><em></em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>The catchy riffs keep coming and the chorus vocal powers the track along, the mix is loud and brash, suits this style really well, overall a power Pop Punk track not to be overlooked !</em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em>Add to your Pop Punk playlist. </em></strong></p>
<p data-start="139" data-end="468" style="padding-left: 40px;"><strong><em></em></strong></p>
<p data-start="169" data-end="357"><strong>Cornwall pop-punk outfit Kerosene Cocktail are back with their brand new single <em data-start="253" data-end="266">“Polaroids”</em>, set for release on April 7th—and it marks a bold step forward for the rising UK band.</strong></p>
<p data-start="359" data-end="660"><strong>Recorded at Cube Studios with producers Gareth Young and Ross Rothero-Bourge, <em data-start="437" data-end="448">Polaroids</em> showcases a noticeable evolution in both sound and identity. Known for their raw, high-energy live performances, the band successfully channels that same intensity into a tighter, more refined studio production.</strong></p>
<p data-start="662" data-end="889"><strong>Built around layered guitars, driving rhythms, and hook-heavy vocals, the track expands on Kerosene Cocktail’s early sound without sacrificing the edge that’s been fuelling their growing presence across the UK grassroots scene.</strong></p>
<h3 data-section-id="1c0wmdo" data-start="891" data-end="929">Fronted by Jasmine Wills</h3>
<p data-start="931" data-end="1237">At the heart of the track is 20-year-old frontwoman <strong data-start="983" data-end="1000">Jasmine Wills</strong>, whose vocal delivery injects a fresh energy and distinct personality into <em data-start="1076" data-end="1087">Polaroids</em>. Balancing punchy attitude with strong melodic instincts, her performance gives the track a modern feel while staying rooted in classic pop-punk DNA.</p>
<h3 data-section-id="l9udth" data-start="1239" data-end="1272">Nostalgia Meets Modern Energy</h3>
<p data-start="1274" data-end="1482"><em data-start="1274" data-end="1285">Polaroids</em> thrives on contrast. The track reflects on a time before everything became instant—when taking a photo meant something. When you had to wait, hold onto the moment, and make the effort to share it.</p>
<p data-start="1484" data-end="1652">That sense of commitment sits at the emotional core of the song, wrapped in a sound that feels immediate, loud, and built for both radio play and packed-out live shows.</p>
<p data-start="1654" data-end="1671">The band explain:</p>
<blockquote data-start="1673" data-end="1919">
<p data-start="1675" data-end="1919">“Polaroids is about when moments actually meant something. Before everything became instant and disposable. You had to commit to it. You had to wait for it. That’s what we wanted to capture, but still keep the energy high and make it hit hard.”</p>
</blockquote>
<h3 data-section-id="1bwt97a" data-start="1921" data-end="1952">Bigger Sound, Sharper Focus</h3>
<p data-start="1954" data-end="2182">Sonically, the single pushes into a more confident and expansive space. The guitars are deliberately layered to create a full wall of sound, while the drums retain a live, slightly unpolished feel that keeps everything grounded.</p>
<p data-start="2184" data-end="2392">Vocally, the focus is on natural, memorable hooks that land effortlessly without feeling overproduced. The result is a track that feels just as powerful blasting through speakers as it does in a live setting.</p>
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		<title>Reese O&#8217;Neill &#8211; Machine ( Acoustic / Electro ) Review</title>
		<link>https://newmusicreview.co.uk/reese-oneill-machine-acoustic-indie-review/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 19:59:18 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[electronic]]></category>
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<div class="et_pb_text_26 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><strong><em>NMR</em> - Reese O'neill - Machine Review</strong></p>
<p data-start="0" data-end="285">Such an easy going vibe on this one, the vocal effect is a focal point of the track as Resse will tell you, but it sounds really nice, an acoustic guitar intro sets thing going and the overall sound is soft and melodic with the rhthym changing to lift the groove , the background sounds weave their way across the stereo space making for a really wide soundscape,</p>
<p data-start="0" data-end="285">Whilst the verses are sleek, the changes have nice lift, adding ambience along the way.</p>
<p data-start="0" data-end="285">Light low, headphones on....and your away !</p>
<p data-start="0" data-end="285">I like this one.</p>
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<div class="et_pb_heading_5 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Reese O’Neill on Spotify</h1></div></div>

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<p class="isSelectedEnd"><span>Liverpool-based singer-songwriter </span><strong><span>Reese O’Neill</span></strong><span> is crafting a distinctive sonic identity rooted in emotional vulnerability, queer expression, and the sacredness of intimacy. Her work seamlessly blends the confessional lyricism of folk with the experimental textures of art pop, bridging delicate acoustic elements with expansive, atmospheric production.</span></p>
<p class="isSelectedEnd"><span>Drawing inspiration from the poetic depth of Leonard Cohen and the avant-garde sensibilities of Laurie Anderson, Reese’s music exists in a space where introspection meets innovation. As she works toward her debut EP, she continues to shape a sound that is both raw and immersive—exploring themes of limerence, worship, and digital isolation with striking honesty.</span></p>
<h3><span>About “Machine”</span></h3>
<p class="isSelectedEnd"><span>“Machine” stands as a compelling example of Reese’s evolving artistry. The track leans into an electronic folk aesthetic, built around soothing, autotuned vocals and layered harmonies that dissolve into synth-like textures. Its glitchy, spacious production wraps around her voice, creating a listening experience that feels both intimate and emotionally intense.</span></p>
<p class="isSelectedEnd"><span>At its core, “Machine” is deeply personal. The line </span><em><span>“I’m a machine with a broken command”</span></em><span> reflects Reese’s lived experience with Functional Neurological Disorder—a condition that affects how the brain sends and receives signals throughout the body. While grounded in her own reality, the track resonates more broadly, speaking to anyone who has felt disconnected within their own mind or overwhelmed by emotional turbulence.</span></p>
<p class="isSelectedEnd"><span>This openness and emotional clarity sit at the heart of Reese O’Neill’s artistry, offering listeners a space where vulnerability is not only expressed but embraced.</span></p>
<p>For fans of: FKA Twigs, Erin LeCount, Weyes Blood, Laurie Anderson, Broken Social Scene</p>
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<div class="et_pb_text_28 et_pb_text et_pb_bg_layout_light et_clickable et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their YouTube </strong>below</h3>
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		<title>Fierce Friend &#8211; Blood Red Hills ( Rock / Punk ) Review</title>
		<link>https://newmusicreview.co.uk/fierce-friend-blood-red-hills-rock-punkreview/</link>
		
		<dc:creator><![CDATA[Tim Morris]]></dc:creator>
		<pubDate>Sat, 25 Apr 2026 20:22:39 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[alt.pop]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[pop punk]]></category>
		<category><![CDATA[Punk]]></category>
		<guid isPermaLink="false">https://newmusicreview.co.uk/?p=12153</guid>

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<p data-start="0" data-end="285">Love the intro on this one — dissonant but cool — then the rhythm kicks in with a really nice groove. The vocal melodies work really well, and the harmonies add a lot of depth. There’s also this weird, almost kazoo-style sound that really makes the riffs stand out — pretty cool touch.</p>
<p data-start="287" data-end="466">The overall mix and production sound great, with strong instrumentation and a well-crafted song structure. There are some nice dynamic shifts throughout that keep things engaging.</p>
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<div class="et_pb_heading_7 et_pb_heading et_clickable et_pb_module et_block_module"><div class="et_pb_heading_container"><h1 class="et_pb_module_header">Fierce Friend on Spotify</h1></div></div>

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<div class="et_pb_text_33 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h1 data-section-id="zd97q4" data-start="151" data-end="216">Fierce Friends - Blood Red Hills.</h1>
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<p data-start="0" data-end="155">Brighton-based indie artist Fierce Friend returns with “Blood Red Hills,” the first single from the forthcoming album Blood Red Hills &amp; The Uncanny Valley.</p>
<p data-start="157" data-end="343">Fierce Friend, the solo project of Brighton musician Alan Grice, blends playful sophistication with razor-sharp songwriting and an indie-rock core beneath shimmering electronic textures.</p>
<p data-start="345" data-end="853">“Blood Red Hills” is a high-energy indie anthem built on the jagged, choppy guitar chords of <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Field Music</span></span>, the kind of fuzzed-out bass sound <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">DIIV</span></span> would be proud of, and a woozy, seasick riff that might have wandered off a <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">My Bloody Valentine</span></span> record. Electronic sparkle, a key change that has no right to work — but somehow does — and a euphoric blizzard of a playout sit above a darker story of love and trust slowly eroded by time.</p>
<p data-start="855" data-end="1297">Grice is a longstanding figure in Brighton’s art-pop underground, contributing to cult favourites <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Electric Soft Parade</span></span>, <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Foxes!</span></span> and <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Octopuses</span></span>. With Fierce Friend, he distils those experiences into a sound that’s sleek and unmistakable — blending bright melodic hooks with rhythmic precision while exploring the heartbreaks, hauntings and strange hopes of lost heroes.</p>
<p data-start="1299" data-end="1630">Fierce Friend’s debut album Lies That Comfort You (Chord Orchard, 2018) earned spins on <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">BBC Radio 6 Music</span></span>, with <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Stuart Maconie</span></span> praising it as “a great sophisti-pop record.” The sophistication remains, but the new material is leaner, more direct and wired with restless, propulsive energy.</p>
<p data-start="1632" data-end="1751" data-is-last-node="" data-is-only-node="">“Blood Red Hills” introduces the world of the forthcoming album Blood Red Hills &amp; The Uncanny Valley, due October 2026.</p>
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<div class="et_pb_text_34 et_pb_text et_pb_bg_layout_light et_clickable et_pb_module et_block_module"><div class="et_pb_text_inner"><h3 style="text-align: center;"><strong>Check their YouTube </strong>below</h3>
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<div class="et_pb_row_165 et_pb_row et_block_row">
<div class="et_pb_column_165 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough">
<ul class="et_pb_social_media_follow_18 et_pb_social_media_follow clearfix et_pb_bg_layout_light et_pb_text_align_center et_pb_module et_block_module">
<li class="et_pb_social_media_follow_network_60 et_pb_social_media_follow_network et_pb_social_icon et_pb_social_network_link et-pb-social-fa-icon et-social-spotify et_pb_module et_flex_module"><a href="https://open.spotify.com/artist/1iLih7FRSEtIPxOZ4XYn2d?si=HPIwQWcKQ3irrMbwY26dzA" class="icon" target="_self" title="Follow on Spotify" rel="noopener"><span class="et_pb_social_media_follow_network_name">Follow</span></a></li>

<li class="et_pb_social_media_follow_network_61 et_pb_social_media_follow_network et_pb_social_icon et_pb_social_network_link et-social-facebook et_pb_module et_flex_module"><a href="https://www.facebook.com/fiercefriend/?fref=photo" class="icon" target="_self" title="Follow on Facebook" rel="noopener"><span class="et_pb_social_media_follow_network_name">Follow</span></a></li>

<li class="et_pb_social_media_follow_network_62 et_pb_social_media_follow_network et_pb_social_icon et_pb_social_network_link et-social-youtube et_pb_module et_flex_module"><a href="https://www.youtube.com/@fiercefriendmusic" class="icon" target="_self" title="Follow on Youtube" rel="noopener"><span class="et_pb_social_media_follow_network_name">Follow</span></a></li>
</ul>
</div>
</div>
</div>

<div class="et_pb_section_144 et_pb_section et_section_regular et_flex_section">
<div class="et_pb_row_166 et_pb_row et_flex_row">
<div class="et_pb_column_166 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone">
<div class="et_pb_code_45 et_pb_code et_pb_text_align_center et_pb_module"><div class="et_pb_code_inner"><a href="https://www.pluginboutique.com/bundles?utm_source=PIB%20bundles&amp;utm_medium=AFRS&amp;utm_campaign=PIB%20bundles&amp;a_aid=69a730d8f3cc8&amp;a_bid=c2da749b" target="_blank" rel="noopener"><img loading="lazy" decoding="async" src="//loopmasters.postaffiliatepro.com/accounts/default1/hfwq3b89wu2/c2da749b.jpg" alt="Music Software Bundles from Pluginboutique.com" title="Music Software Bundles from Pluginboutique.com" width="970" height="90" /></a></div></div>
</div>
</div>
</div>

<div class="et_pb_section_145 et_pb_section et_section_regular et_block_section">
<div class="et_pb_row_167 et_pb_row et_block_row">
<div class="et_pb_column_167 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough">
<div class="et_pb_module et_pb_button_module_wrapper et_pb_button_37_wrapper"><a class="et_pb_button_37 et_pb_button et_pb_bg_layout_dark et_pb_module et_block_module" href="https://newmusicreview.co.uk/blog-new-music-review-website/">Back To Blog</a></div>
</div>
</div>
</div>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
